on his visage it would have been impossible to distinguish anything with certainty.
It was a sort of haggard astonishment. He gazed at it, and that was all.
But what was his thought? It would have been impossible to divine it.
What was evident was, that he was touched and astounded.
But what was the nature of this emotion?
His eye never quitted the old man.
The only thing which was clearly to be inferred from his attitude and his physiognomy was a strange indecision. One would have said that he was hesitating between the two abysses,-- the one in which one loses one''s self and that in which one saves one''s self.
He seemed prepared to crush that skull or to kiss that hand.
At the expiration of a few minutes his left arm rose slowly towards his brow, and he took off his cap; then his arm fell back with the same deliberation, and Jean Valjean fell to meditating once more, his cap in his left hand, his club in his right hand, his hair bristling all over his savage head.
The Bishop continued to sleep in profound peace beneath that terrifying gaze.
The gleam of the moon rendered confusedly visible the crucifix over the chimney-piece, which seemed to be extending its arms to both of them, with a benediction for one and pardon for the other.
Suddenly Jean Valjean replaced his cap on his brow; then stepped rapidly past the bed, without glancing at the Bishop, straight to the cupboard, which he saw near the head; he raised his iron candlestick as though to force the lock; the key was there; he opened it; the first thing which presented itself to him was the basket of silverware; he seized it, traversed the chamber with long strides, without taking any precautions and without troubling himself about the noise, gained the door, re-entered the oratory, opened the window, seized his cudgel, bestrode the window-sill of the ground-floor, put the silver into his knapsack, threw away the basket, crossed the garden, leaped over the wall like a tiger, and fled.