for there were occasions on which Marius, like all truly honest hearts, was his own pedagogue and scolded himself more than he deserved, he stared at the wall which separated him from the Jondrettes, as though he were able to make his gaze, full of pity, penetrate that partition and warm these wretched people.
The wall was a thin layer of plaster upheld by lathes and beams, and, as the reader had just learned, it allowed the sound of voices and words to be clearly distinguished. Only a man as dreamy as Marius could have failed to perceive this long before.
There was no paper pasted on the wall, either on the side of the Jondrettes or on that of Marius; the coarse construction was visible in its nakedness.
Marius examined the partition, almost unconsciously; sometimes revery examines, observes, and scrutinizes as thought would.
All at once he sprang up; he had just perceived, near the top, close to the ceiling, a triangular hole, which resulted from the space between three lathes. The plaster which should have filled this cavity was missing, and by mounting on the commode, a view could be had through this aperture into the Jondrettes'' attic.
Commiseration has, and should have, its curiosity.
This aperture formed a sort of peep-hole. It is permissible to gaze at misfortune like a traitor in order to succor it.[27]