e print is filled with water.
The eye, however, has perceived no change; the immense beach is smooth and tranquil, all the sand has the same aspect, nothing distinguishes the soil that is solid from that which is not solid; the joyous little cloud of sand-lice continues to leap tumultuously under the feet of the passer-by.
The man pursues his way, he walks on, turns towards the land, endeavors to approach the shore.
He is not uneasy.
Uneasy about what? Only he is conscious that the heaviness of his feet seems to be increasing at every step that he takes.
All at once he sinks in. He sinks in two or three inches.
Decidedly, he is not on the right road; he halts to get his bearings.
Suddenly he glances at his feet; his feet have disappeared.
The sand has covered them.
He draws his feet out of the sand, he tries to retrace his steps, he turns back, he sinks in more deeply than before.
The sand is up to his ankles, he tears himself free from it and flings himself to the left, the sand reaches to mid-leg, he flings himself to the right, the sand comes up to his knees.
Then, with indescribable terror, he recognizes the fact that he is caught in a quicksand, and that he has beneath him that frightful medium in which neither man can walk nor fish can swim.
He flings away his burden, if he have one, he lightens himself, like a ship in distress; it is too late, the sand is above his knees.