a gas-jet in a plum-coloured shade above the door, and a garish sign - The Frigate - that reminded me how near our walk had brought us to the Thames.
''It''s this way,'' said Florence self-consciously. She led me past the door and around the building to a smaller, darker entrance at the back. Here a set of rather steep and treacherous-looking steps took us downwards, to what must once have been a cellar; at the bottom there was a door of frosted glass, and behind this was the room - the Boy in the Boat, I remembered to call it - that we had come for.
It was not a large room, but it was very shady, and it took me a time to gauge its breadth and height, to see beyond its spots of brightness - its crackling fire, its gas-lamps, the gleam of brass and glass and mirror and pewter at its bar - into the pools of gloom that lay between them. There were, I guessed, about twenty persons in it: they were seated in a row of little stalls, or standing propped against the counter, or gathered in the furthest, brightest corner, about what seemed to be a billiard table. I didn''t like to gaze at them for long, for at our
appearance they all, of course, looked up, and I felt strangely shy of them and their opinion.
Instead I kept my head down, and followed Florence to the bar. There was a square-chinned woman standing behind it, wiping at a beer-glass with a cloth; when she saw us coming she put both glass and towel down, and smiled.