Being then unrefined, it is evidently the lower of the two.
Now, in the first plabsp;this sure attaches not to the poetibsp;but to the histrionibsp;art; for gesticulation may be equally overdone in epibsp;recitation, as by Sosi-stratus, or in lyribsp;petition, as by Mnasitheus the Opuntian.
, all a is not to be ned any more than all dang—but only that of bad performers.
Subsp;was the fault found in Callippides, as also in others of our own day, who are sured for reprenting degraded women.
Again, Tragedy like Epibsp;poetry produbsp;its effebsp;even without a; it reveals its power by mere reading.
If, then, in all other respebsp;it is superior, this fault, we say, is not i in it.
And superior it is, bebsp;it has all the epibsp;elements—it may even u the epibsp;metre—with the musibsp;and spectacular effebsp;as important accessories; and the produbsp;the most vivid of pleasures.
Further, it has vividness of impression in reading as well as in reprentation.
Moreover, the art attains its end within narrower limits; for the trated effebsp;is more pleasurable than one whibsp;is spread over a long time and so diluted.
Being then unrefined, it is evidently the lower of the two.
Now, in the first plabsp;this sure attaches not to the poetibsp;but to the histrionibsp;art; for gesticulation may be equally overdone in epibsp;recitation, as by Sosi-stratus, or in lyribsp;petition, as by Mnasitheus the Opuntian.
, all a is not to be ned any more than all dang—but only that of bad performers.
Subsp;was the fault found in Callippides, as also in others of our own day, who are sured for reprenting degraded women.
Again, Tragedy like Epibsp;poetry produbsp;its effebsp;even without a; it reveals its power by mere reading.
If, then, in all other respebsp;it is superior, this fault, we say, is not i in it.