The British authors who understand boys best are not those who have written books exclusively about boys. There is Canon Farrar, for example, whose romances of boyish life appear to be very popular, but whose boys, somehow, are not real boys. They are too good when they are good, and when they are bad, they are not perhaps too bad (that is impossible), but they are bad in the wrong way. They are bad with a mannish and conscious vice, whereas even bad boys seem to sin less consciously and after a ferocious fashion of their own.
Of the boys in "Tom Brown" it is difficult to speak, because the Rugby boy under Arnold seems to have been of a peculiar species. Acontemporary pupil was asked, when an undergraduate, what he conceived to be the peculiar characteristic of Rugby boys. He said, after mature reflection, that "the differentia of the Rugby boy was his moral thoughtfulness." Now the characteristic of the ordinary boy is his want of what is called moral thoughtfulness.