The interior of the temple was the most worthy of admiration. It was literally a mine of gold. On the western wall was emblazoned a representation of the deity, consisting of a human countenance, looking forth from amidst innumerable rays of light, which emanated from it in every direction, in the same manner as the sun is often personified with us. The figure was engraved on a massive plate of gold of enormous dimensions, thickly powdered with emeralds and precious stones.16 It was so situated in front of the great eastern portal, that the rays of the morning sun fell directly upon it at its rising, lighting up the whole apartment with an effulgence that seemed more than natural, and which was reflected back from the golden ornaments with which the walls and ceiling were everywhere in crusted. Gold, in the figurative language of the people was "the tears wept by the sun," 17 and every part of the interior of the temple glowed with burnished plates and studs of the precious metal. The cornices, which surrounded the walls of the sanctuary, were of the same costly material; and a broad belt or frieze of gold, let into the stonework, encompassed the whole exterior of the edifice.18Adjoining the principal structure were several chapels of smaller dimensions. One of them was consecrated to the Moon, the deity held next in reverence, as the mother of the Incas. Her effigy was delineated in the same manner as that of the Sun, on a vast plate that nearly covered one side of the apartment. But this plate, as well as all the decorations of the building, was of silver, as suited to the pale, silvery light of the beautiful planet. There were three other chapels, one of which was dedicated to the host of Stars, who formed the bright court of the Sister of the Sun; another was consecrated to his dread ministers of vengeance, the Thunder and the Lightning; and a third, to the Rainbow, whose many-colored arch spanned the walls of the edifice with hues almost as radiant as its own. There were besides several other buildings, or insulated apartments, for the accommodation of the numerous priests who officiated in the services of the temple.19All the plate, the ornaments, the utensils of every description, appropriated to the uses of religion, were of gold or silver. Twelve immense vases of the latter metal stood on the floor of the great saloon, filled with grain of the Indian corn;20 the censers for the perfumes, the ewers which held the water for sacrifice, the pipes which conducted it through subterraneous channels into the buildings, the reservoirs that received it, even the agricultural implements used in the gardens of the temple, were all of the same rich materials. The gardens, like those described, belonging to the royal palaces, sparkled with flowers of gold and silver, and various imitations of the vegetable kingdom. Animals, also, were to be found there,--among which the llama, with its golden fleece, was most conspicuous,--executed in the same style, and with a degree of skill, which, in this instance, probably, did not surpass the excellence of the material.21If the reader sees in this fairy picture only the romantic coloring of some fabulous El Dorado, he must recall what has been said before in reference to the palaces of the Incas, and consider that these "Houses of the Sun," as they were styled, were the common reservoir into which flowed all the streams of public and private benefaction throughout the empire. Some of the statements, through credulity, and others, in the desire of exciting admiration, may be greatly exaggerated; but, in the coincidence of contemporary testimony, it is not easy to determine the exact line which should mark the measure of our skepticism. Certain it is, that the glowing picture I have given is warran