blazing with gold and silver, seemed so extravagant, that Pizarro, distrusting his whole account, resolved to send a more discreet and trustworthy emissary on the following day.16The person selected was Pedro de Candia, the Greek cavalier mentioned as one of the first who intimated his intention to share the fortunes of his commander. He was sent on shore, dressed in complete mail as became a good knight, with his sword by his side, and his arquebuse on his shoulder. The Indians were even more dazzled by his appearance than by Molina's, as the sun fell brightly on his polished armour, and glanced from his military weapons. They had heard much of the formidable arquebuse from their townsmen who had come in the vessel, and they besought Candia "to let it speak to them." He accordingly set up a wooden board as a target, and, taking deliberate aim, fired off the musket. The flash of the powder and the startling report of the piece, as the board, struck by the ball, was shivered into splinters, filled the nativeswith dismay. Some fell on the ground, covering their faces with their hands, and others approached the cavalier with feelings of awe, which were gradually dispelled by the assurance they received from the smiling expression of his countenance.17They then showed him the same hospitable attentions which they had paid to Molina; and his description of the marvels of the place, on his return, fell nothing short of his predecessor's. The fortress, which was surrounded by a triple row of wall, was strongly garrisoned. The temple he described as literally tapestried with plates of gold and silver.
Adjoining this structure was a sort of convent appropriated to the Inca's destined brides, who manifested great curiosity to see him. Whether this was gratified is not clear; but Candia described the gardens of the convent, which he entered, as glowing with imitations of fruits and vegetables all in pure gold and silver!18 He had seen a number of artisans at work, whose sole business seemed to be to furnish these gorgeous decorations for the religious houses.