Haworth is built with an utter disregard of all sanitary conditions: the great old churchyard lies above all the houses, and it is terrible to think how the very water-springs of the pumps below must be poisoned. But this winter of 1833-4 was particularly wet and rainy, and there were an unusual number of deaths in the village. A dreary season it was to the family in the parsonage: their usual walks obstructed by the spongy state of the moors--the passing and funeral bells so frequently tolling, and filling the heavy air with their mournful sound--and, when they were still, the "chip, chip," of the mason, as he cut the grave-stones in a shed close by. In many, living, as it were, in a churchyard, and with all the sights and sounds connected with the last offices to the dead things of every-day occurrence, the very familiarity would have bred indifference. But it was otherwise with Charlotte Bronte. One of her friends says:- "Ihave seen her turn pale and feel faint when, in Hartshead church, some one accidentally remarked that we were walking over graves.
Charlotte was certainly afraid of death. Not only of dead bodies, or dying people. She dreaded it as something horrible. She thought we did not know how long the 'moment of dissolution' might really be, or how terrible. This was just such a terror as only hypochondriacs can provide for themselves. She told me long ago that a misfortune was often preceded by the dream frequently repeated which she gives to 'Jane Eyre,' of carrying a little wailing child, and being unable to still it. She described herself as having the most painful sense of pity for the little thing, lying INERT, as sick children do, while she walked about in some gloomy place with it, such as the aisle of Haworth Church.