We have seen something of this trembling distrust of her own capability of inspiring affection, in the grateful surprise she expresses at the regret felt by her Belgian pupils at her departure. But not merely were her actions kind, her words and tones were ever gentle and caressing, towards animals: and she quickly noticed the least want of care or tenderness on the part of others towards any poor brute creature. The readers of "Shirley" may remember that it is one of the tests which the heroine applies to her lover.
"Do you know what soothsayers I would consult?" . . . "The little Irish beggar that comes barefoot to my door; the mouse that steals out of the cranny in my wainscot; the bird in frost and snow that pecks at my window for a crumb; the dog that licks my hand and sits beside my knee. I know somebody to whose knee the black cat loves to climb, against whose shoulder and cheek it likes to purr.
The old dog always comes out of his kennel and wags his tail, and whines affectionately when somebody passes." [For "somebody" and "he," read "Charlotte Bronte" and "she."] "He quietly strokes the cat, and lets her sit while he conveniently can; and when he must disturb her by rising, he puts her softly down, and never flings her from him roughly: he always whistles to the dog, and gives him a caress."The feeling, which in Charlotte partook of something of the nature of an affection, was, with Emily, more of a passion. Some one speaking of her to me, in a careless kind of strength of expression, said, "she never showed regard to any human creature;all her love was reserved for animals." The helplessness of an animal was its passport to Charlotte's heart; the fierce, wild, intractability of its nature was what often recommended it to Emily. Speaking of her dead sister, the former told me that from her many traits in Shirley's character were taken; her way of sitting on the rug reading, with her arm round her rough bull-dog's neck; her calling to a strange dog, running past, with hanging head and lolling tongue, to give it a merciful draught of water, its maddened snap at her, her nobly stern presence of mind, going right into the kitchen, and taking up one of Tabby's red-hot Italian irons to sear the bitten place, and telling no one, till the danger was well-nigh over, for fear of the terrors that might beset their weaker minds. All this, looked upon as a well-invented fiction in "Shirley," was written down by Charlotte with streaming eyes; it was the literal true account of what Emily had done. The same tawny bull-dog (with his "strangled whistle"), called "Tartar" in "Shirley," was "Keeper" in Haworth parsonage; a gift to Emily. With the gift came a warning. Keeper was faithful to the depths of his nature as long as he was with friends; but he who struck him with a stick or whip, roused the relentless nature of the brute, who flew at his throat forthwith, and held him there till one or the other was at the point of death. Now Keeper's household fault was this. He loved to steal upstairs, and stretch his square, tawny limbs, on the comfortable beds, covered over with delicate white counterpanes. But the cleanliness of the parsonage arrangements was perfect; and this habit of Keeper's was so objectionable, that Emily, in reply to Tabby's remonstrances, declared that, if he was found again transgressing, she herself, in defiance of warning and his well-known ferocity of nature, would beat him so severely that he would never offend again. In the gathering dusk of an autumn evening, Tabby came, half-triumphantly, half-tremblingly, but in great wrath, to tell Emily that Keeper was lying on