And Michael could not help it. No more could he help it than could he help responding with a snarl when threatened by a club;no more could he help it than when he had spoiled the turn of Dick and Daisy Bell when swept by the strains of "Roll Me Down to Rio";no more could he help it than could Jerry, on the deck of the Ariel, help singing when Villa Kennan put her arms around him, smothered him deliciously in her cloud of hair, and sang his memory back into time and the fellowship of the ancient pack. As with Jerry, was it with Michael. Music was a drug of dream. He, too, remembered the lost pack and sought it, seeing the bare hills of snow and the stars glimmering overhead through the frosty darkness of night, hearing the faint answering howls from other hills as the pack assembled. Lost the pack was, through the thousands of years Michael's ancestors had lived by the fires of men; yet remembered always it was when the magic of rhythm poured through him and flooded his being with visions and sensations of that Otherwhere which in his own life he had never known.
Compounded with the waking dream of Otherwhere, was the memory of Steward and the love of Steward, with whom he had learned to sing the very series of notes that now were being reproduced by the circus-rider violinist. And Michael's jaw dropped down, his throat vibrated, his forefeet made restless little movements as if in the body he were running, as truly he was running in the mind, back to Steward, back through all the ages to the lost pack, and with the shadowy lost pack itself across the snowy wastes and through the forest aisles in the hunt of the meat.