But the cats themselves were so continually torn and scratched that the wounds never had a chance to heal and became infected until they were a mass of sores. On occasion they died, or, when they had become too abjectly spiritless to attack even a rat, were set to work on the tight-rope with the doped starved rats that were too near dead to run away from them. And, as Miss Merle Merryweather said: the bonehead audiences, tickled to death, applauded Duckworth's Trained Cats and Rats as an educational act!
A big chimpanzee that covered one of the circuits with Michael had an antipathy for clothes. Like a horse that fights the putting on of the bridle, and, after it is on, takes no further notice of it, so the big chimpanzee fought the putting on the clothes. Once on, it was ready to go out on the stage and through its turn. But the rub was in putting on the clothes. It took the owner and two stage-hands, pulling him up to a ring in the wall and throttling him, to dress him--and this, despite the fact that the owner had long since knocked out his incisors.
All this cruelty Michael sensed without knowing. And he accepted it as the way of life, as he accepted the daylight and the dark, the bite of the frost on bleak and windy station platforms, the mysterious land of Otherwhere that he knew in dreams and song, the equally mysterious Nothingness into which had vanished Meringe Plantation and ships and oceans and men and Steward.