This horse, about twice the age of either Penrod or Sam, had lived to find himself in a unique position. He was nude, possessing neither harness nor halter; all he had was a name, Whitey, and he would have answered to it by a slight change of expression if any one had thus properly addressed him. So forlorn was Whitey's case, he was actually an independent horse; he had not even an owner. For two days and a half he had been his own master.
Previous to that period he had been the property of one Abalene Morris, a person of colour, who would have explained himself as engaged in the hauling business. On the contrary, the hauling business was an insignificant side line with Mr. Morris, for he had long ago given himself, as utterly as fortune permitted, to the talent that early in youth he had recognized as the greatest of all those surging in his bosom. In his waking thoughts and in his dreams, in health and in sickness, Abalene Morris was the dashing and emotional practitioner of an art probably more than Roman in antiquity. Abalene was a crap-shooter. The hauling business was a disguise.