Thereupon, after formal salutations, Mr. Chitten took Marjorie's hand, Georgie Bassett took Miss Rennsdale's, and they proceeded to dance "Les Papillons" in a manner that made up in conscientiousness whatever it may have lacked in abandon. The outlaw leader looked on, smiling a smile intended to represent careless contempt, but in reality he was unpleasantly surprised.
A fancy dance by Georgie Bassett and Baby Rennsdale was customary at every party attended by members of the Friday Afternoon Dancing Class; but Marjorie and Carlie Chitten were new performers, and Penrod had not heard that they had 1earned to dance "Les Papillons" together. He was the further embittered.
Carlie made a false step, recovering himself with some difficulty, whereupon a loud, jeering squawk of laughter was heard from the insurgent cluster, which had been awed to temporary quiet but still maintained its base in the drawing-room doorway. There was a general "SH!" followed by a shocked whispering, as well as a general turning of eyes toward Penrod. But it was not Penrod who had laughed, though no one would have credited him with an alibi. The laughter came from two throats that breathed as one with such perfect simultaneousness that only one was credited with the disturbance. These two throats belonged respectively to Samuel Williams and Maurice Levy, who were standing in a strikingly Rosencrantz-and-Guildenstern attitude.
"He got me with his ole tin-box needle, too," Maurice muttered to Sam. "He was goin' to do it to Marjorie, and I told her to look out, and he says, 'Here, YOU take it!' all of a sudden, and he stuck it in my hand so quick I never thought. And then, BIM! his ole needle shot out and perty near went through my thumb-bone or sumpthing. He'll be sorry before this day's over!"