When Katusha came into the room, or even when he saw her white apron from afar, everything brightened up in Nekhludoff's eyes, as when the sun appears everything becomes more interesting, more joyful, more important. The whole of life seemed full of gladness. And she felt the same. But it was not only Katusha's presence that had this effect on Nekhludoff. The mere thought that Katusha existed (and for her that Nekhludoff existed) had this effect.
When he received an unpleasant letter from his mother, or could not get on with his essay, or felt the unreasoning sadness that young people are often subject to, he had only to remember Katusha and that he should see her, and it all vanished. Katusha had much work to do in the house, but she managed to get a little leisure for reading, and Nekhludoff gave her Dostoievsky and Tourgeneff (whom he had just read himself) to read. She liked Tourgeneff's Lull best. They had talks at moments snatched when meeting in the passage, on the veranda, or the yard, and sometimes in the room of his aunts' old servant, Matrona Pavlovna, with whom he sometimes used to drink tea, and where Katusha used to work.
These talks in Matrona Pavlovna's presence were the pleasantest.
When they were alone it was worse. Their eyes at once began to say something very different and far more important than what their mouths uttered. Their lips puckered, and they felt a kind of dread of something that made them part quickly. These relations continued between Nekhludoff and Katusha during the whole time of his first visit to his aunts'. They noticed it, and became frightened, and even wrote to Princess Elena Ivanovna, Nekhludoff's mother. His aunt, Mary Ivanovna, was afraid Dmitri would form an intimacy with Katusha; but her fears were groundless, for Nekhludoff, himself hardly conscious of it, loved Katusha, loved her as the pure love, and therein lay his safety--his and hers. He not only did not feel any desire to possess her, but the very thought of it filled him with horror.