Nekhludoff drove that day straight from Maslennikoff's to the prison, and went to the inspector's lodging, which he now knew.
He was again struck by the sounds of the same piano of inferior quality; but this time it was not a rhapsody that was being played, but exercises by Clementi, again with the same vigour, distinctness, and quickness. The servant with the bandaged eye said the inspector was in, and showed Nekhludoff to a small drawing-room, in which there stood a sofa and, in front of it, a table, with a large lamp, which stood on a piece of crochet work, and the paper shade of which was burnt on one side. The chief inspector entered, with his usual sad and weary look.
"Take a seat, please. What is it you want?" he said, buttoning up the middle button of his uniform.
"I have just been to the vice-governor's, and got this order from him. I should like to see the prisoner Maslova."
"Markova?" asked the inspector, unable to bear distinctly because of the music.
"Maslova!"
"Well, yes." The inspector got up and went to the door whence proceeded Clementi's roulades.
"Mary, can't you stop just a minute?" he said, in a voice that showed that this music was the bane of his life. "One can't hear a word."
The piano was silent, but one could hear the sound of reluctant steps, and some one looked in at the door.
The inspector seemed to feel eased by the interval of silence, lit a thick cigarette of weak tobacco, and offered one to Nekhludoff.
Nekhludoff refused.
"What I want is to see Maslova."
"Oh, yes, that can be managed. Now, then, what do you want?" he said, addressing a little girl of five or six, who came into the room and walked up to her father with her head turned towards Nekhludoff, and her eyes fixed on him.
"There, now, you'll fall down," said the inspector, smiling, as the little girl ran up to him, and, not looking where she was going, caught her foot in a little rug.
"Well, then, if I may, I shall go."
"It's not very convenient to see Maslova to-day," said the inspector.