第11章 THE STATE AS A WORK OF ART(11)(1 / 3)

Guido refused.The plot ripened suddenly on the occasion of the marriage of Astorre with Lavinia Colonna, at Midsummer, 1500.The festival began and lasted several days amid gloomy forebodings, whose deepening effect is admirably described by Matarazzo.Varano himself encouraged them with devilish ingenuity: he worked upon Grifone by the prospect of undivided authority, and by stories of an imaginary intrigue of his wife Zenobia with Gianpaolo.Finally each conspirator was provided with a victim.(The Baglioni lived all of them in separate houses, mostly on the site of the pre sent castle.) Each received fifteen of the bravos at hand; the remainder were set on the watch.In the night of July 15 the doors were forced, and Guido, Astorre, Simonetto, and Gismondo were murdered; the others succeeded in escaping.

As the corpse of Astorre lay by that of Simonetto in the street, the spectators, 'and especially the foreign students,' compared him to an ancient Roman, so great and imposing did he seem.In the features of Simonetto could still be traced the audacity and defiance which death itself had not tamed.The victors went round among the friends of the family, and did their best to recommend themselves; they found all in tears and preparing to leave for the country.Meantime the escaped Baglioni collected forces without the city, and on the following day forced their way in, Gianpaolo at their head, and speedily found adherents among others whom Barciglia had been threatening with death.

When Grifone fell into their hands near Sant' Ercolano, Gianpaolo handed him over for execution to his followers.Barciglia and Penna fled to Varano, the chief author of the tragedy, at Camerino; and in a moment, almost without loss, Gianpaolo became master of the city.