第20章 THE STATE AS A WORK OF ART(20)(1 / 3)

Among the Florentines, whenever they got rid of, or tried to get rid of, the Medici, tyrannicide was a practice universally accepted and approved.After the flight of the Medici in 1494, the bronze group of Donatello Judith with the dead Holofernes was taken from their collection and placed before the Palazzo della Signoria, on the spot where the 'David' of Michelangelo now stands, with the inscription, 'Exemplum salutis publicae cives posuere 1495.No example was more popular than that of the younger Brutus, who, in Dante, lies with Cassius and Judas Iscariot in the lowest pit of hell, because of his treason to the empire.Pietro Paolo Boscoli, whose plot against Giuliano, Giovanni, and Giulio Medici failed (1513), was an enthusiastic admirer of Brutus, and in order to follow his steps, only waited to find a Cassius.Such a partner he met with in Agostino Capponi.His last utterances in prison a striking evidence of the religious feeling of the time show with what an effort he rid his mind of these classical imaginations, in order to die like a Christian.Afriend and the confessor both had to assure him that St.Thomas Aquinas condemned conspirators absolutely; but the confessor afterwards admitted to the same friend that St.Thomas drew a distinction and permitted conspiracies against a tyrant who bad forced himself on a people against their will.

After Lorenzino Medici had murdered the Duke Alessandro (1537), and then escaped, an apology for the deed appeared,8 which is probably his own work, and certainly composed in his interest, and in which he praises tyrannicide as an act of the highest merit; on the supposition that Alessandro was a legitimate Medici, and, therefore, related to him, if only distantly, he boldly compares himself with Timoleon, who slew his brother for his country's sake.Others, on the same occasion, made use of the comparison with Brutus, and that Michelangelo himself, even late in life, was not unfriendly to ideas of this kind, may be inferred from his bust of Brutus in the Bargello.He left it unfinished, like nearly all his works, but certainly not because the murder of Caesar was repugnant to his feeling, as the couplet beneath declares.