Where they do not describe contemporaries, they are naturally dependent on earlier narratives.The first great original effort is the life of Dante by Boccaccio.Lightly and rhetorically written, and full, as it is, of arbitrary fancies, this work nevertheless gives us a lively sense of the extraordinary features in Dante's nature.Then follow, at the end of the fourteenth century, the 'vite' of illustrious Florentines, by Filippo Villani.They are men of every calling: poets, jurists, physicians, scholars, artists, statesmen, and soldiers, some of them then still living.Florence is here treated like a gifted family, in which all the members are noticed in whom the spirit of the house expresses itself vigorously.The descriptions are brief, but show a remarkable eye for what is characteristic, and are noteworthy for including the inward and outward physiognomy in the same sketch.From that time forward, the Tuscans never ceased to consider the description of man as lying within their special competence, and to them we owe the most valuable portraits of the Italians of the fifteenth and sixteenth centuries.Giovanni Cavalcanti, in the appendices to his Florentine history, written before the year 1450, collects instances of civil virtue and abnegation, of political discernment and of military valor, all shown by Florentines.Pius II gives in his 'Commentaries' valuable portraits of famous contemporaries; and not long ago a separate work of his earlier years, which seems preparatory to these portraits, but which has colors and features that are very singular, was reprinted.To Jacopo of Volterra we owe piquant sketches of members of the Curia in the time of Sixtus IV.Vespasiano Fiorentino has often been referred to already, and as a historical authority a high place must be assigned to him; but his gift as a painter of character is not to be compared with that of Machiavelli, Niccolo Valori, Guicciardini, Varchi, Francesco Vettori, and others, by whom European historical literature has probably been as much influenced in this direction as by the ancients.
第100章 The Revival of Antiquity Introductory (50)（1 / 3）