To MRS. M--.
PARIS, October, 12, 1763.
MADAM,--I shall be much pleased if the remarks I have made on the characters of the French people, can afford you the satisfaction you require. With respect to the ladies I can only judge from their exteriors: but, indeed, these are so characteristic, that one can hardly judge amiss; unless we suppose that a woman of taste and sentiment may be so overruled by the absurdity of what is called fashion, as to reject reason, and disguise nature, in order to become ridiculous or frightful. That this may be the case with some individuals, is very possible. I have known it happen in our own country, where the follies of the French are adopted and exhibited in the most aukward imitation: but the general prevalence of those preposterous modes, is a plain proof that there is a general want of taste, and a general depravity of nature. I shall not pretend to describe the particulars of a French lady's dress. These you are much better acquainted with than I can pretend to be: but this I will be bold to affirm, that France is the general reservoir from which all the absurdities of false taste, luxury, and extravagance have overflowed the different kingdoms and states of Europe. The springs that fill this reservoir, are no other than vanity and ignorance. It would be superfluous to attempt proving from the nature of things, from the first principles and use of dress, as well as from the consideration of natural beauty, and the practice of the ancients, who certainly understood it as well as the connoisseurs of these days, that nothing can be more monstrous, inconvenient, and contemptible, than the fashion of modern drapery. You yourself are well aware of all its defects, and have often ridiculed them in my hearing. I shall only mention one particular of dress essential to the fashion in this country, which seems to me to carry human affectation to the very farthest verge of folly and extravagance; that is, the manner in which the faces of the ladies are primed and painted. When the Indian chiefs were in England every body ridiculed their preposterous method of painting their cheeks and eye-lids; but this ridicule was wrong placed. Those critics ought to have considered, that the Indians do not use paint to make themselves agreeable; but in order to be the more terrible to their enemies. It is generally supposed, Ithink, that your sex make use of fard and vermillion for very different purposes; namely, to help a bad or faded complexion, to heighten the graces, or conceal the defects of nature, as well as the ravages of time. I shall not enquire at present, whether it is just and honest to impose in this manner on mankind: if it is not honest, it may be allowed to be artful and politic, and shews, at least, a desire of being agreeable. But to lay it on as the fashion in France prescribes to all the ladies of condition, who indeed cannot appear without this badge of distinction, is to disguise themselves in such a manner, as to render them odious and detestable to every spectator, who has the least relish left for nature and propriety. As for the fard or white, with which their necks and shoulders are plaistered, it may be in some measure excusable, as their skins are naturally brown, or sallow;but the rouge, which is daubed on their faces, from the chin up to the eyes, without the least art or dexterity, not only destroys all distinction of features, but renders the aspect really frightful, or at best conveys nothing but ideas of disgust and aversion. You know, that without this horrible masque no married lady is admitted at court, or in any polite assembly; and that it is a mark of distinction which no bourgeoise dare assume.
Ladies of fashion only have the privilege of exposing themselves in these ungracious colours. As their faces are concealed under a false complexion, so their heads are covered with a vast load of false hair, which is frizzled on the forehead, so as exactly to resemble the wooly heads of the Guinea negroes. As to the natural hue of it, this is a matter of no consequence, for powder makes every head of hair of the same colour; and no woman appears in this country, from the moment she rises till night, without being compleatly whitened. Powder or meal was first used in Europe by the Poles, to conceal their scald heads; but the present fashion of using it, as well as the modish method of dressing the hair, must have been borrowed from the Hottentots, who grease their wooly heads with mutton suet and then paste it over with the powder called buchu. In like manner, the hair of our fine ladies is frizzled into the appearance of negroes wool, and stiffened with an abominable paste of hog's grease, tallow, and white powder. The present fashion, therefore, of painting the face, and adorning the head, adopted by the beau monde in France, is taken from those two polite nations the Chickesaws of America and the Hottentots of Africa. On the whole, when I see one of those fine creatures sailing along, in her taudry robes of silk and gauze, frilled, and flounced, and furbelowed, with her false locks, her false jewels, her paint, her patches, and perfumes; I cannot help looking upon her as the vilest piece of sophistication that art ever produced.
This hideous masque of painting, though destructive of all beauty, is, however, favourable to natural homeliness and deformity. It accustoms the eyes of the other sex, and in time reconciles them to frightfull objects; it disables them from perceiving any distinction of features between woman and woman;and, by reducing all faces to a level, gives every female an equal chance for an admirer; being in this particular analogous to the practice of the antient Lacedemonians, who were obliged to chuse their helpmates in the dark. In what manner the insides of their heads are furnished, I would not presume to judge from the conversation of a very few to whom I have had access: but from the nature of their education, which I have heard described, and the natural vivacity of their tempers, I should expect neither sense, sentiment, nor discretion. From the nursery they are allowed, and even encouraged, to say every thing that comes uppermost; by which means they acquire a volubility of tongue, and a set of phrases, which constitutes what is called polite conversation. At the same time they obtain an absolute conquest over all sense of shame, or rather, they avoid acquiring this troublesome sensation; for it is certainly no innate idea. Those who have not governesses at home, are sent, for a few years, to a convent, where they lay in a fund of superstition that serves them for life: but I never heard they had the least opportunity of cultivating the mind, of exercising the powers of reason, or of imbibing a taste for letters, or any rational or useful accomplishment. After being taught to prattle, to dance and play at cards, they are deemed sufficiently qualified to appear in the grand monde, and to perform all the duties of that high rank and station in life. In mentioning cards, I ought to observe, that they learn to play not barely for amusement, but also with a view to advantage; and, indeed, you seldom meet with a native of France, whether male or female, who is not a compleat gamester, well versed in all the subtleties and finesses of the art. This is likewise the case all over Italy. A lady of a great house in Piedmont, having four sons, makes no scruple to declare, that the first shall represent the family, the second enter into the army, the third into the church, and that she will breed the fourth a gamester. These noble adventurers devote themselves in a particular manner to the entertainment of travellers from our country, because the English are supposed to be full of money, rash, incautious, and utterly ignorant of play. But such a sharper is most dangerous, when he hunts in couple with a female. I have known a French count and his wife, who found means to lay the most wary under contribution. He was smooth, supple, officious, and attentive: she was young, handsome, unprincipled, and artful. If the Englishman marked for prey was found upon his guard against the designs of the husband, then madam plied him on the side of gallantry. She displayed all the attractions of her person. She sung, danced, ogled, sighed, complimented, and complained. If he was insensible to all her charms, she flattered his vanity, and piqued his pride, by extolling the wealth and generosity of the English; and if he proved deaf to all these insinuations she, as her last stake, endeavoured to interest his humanity and compassion. She expatiated, with tears in her eyes, on the cruelty and indifference of her great relations;represented that her husband was no more than the cadet of a noble family --, that his provision was by no means suitable.either to the dignity of his rank, or the generosity of his disposition: that he had a law-suit of great consequence depending, which had drained all his finances; and, finally, that they should be both ruined, if they could not find some generous friend, who would accommodate them with a sum of money to bring the cause to a determination. Those who are not actuated by such scandalous motives, become gamesters from meer habit, and, having nothing more solid to engage their thoughts, or employ their time, consume the best part of their lives, in this worst of all dissipation. I am not ignorant that there are exceptions from this general rule: I know that France has produced a Maintenon, a Sevigine, a Scuderi, a Dacier, and a Chatelet; but I would no more deduce the general character of the French ladies from these examples, than I would call a field of hemp a flower-garden.because there might be in it a few lillies or renunculas planted by the hand of accident.