From John Graham, at the Boston House of Graham & Co., to his son, Pierrepont, at the Union Stock Yards in Chicago.
Mr. Pierrepont has told the old man “what’s what” and received a limited blessing.
No. 20
BOSTON, November 11, 189–
Dear Pierrepont: If that’s what, it’s all right. And you can’t get married too quick to suit the old man. I believe in short engagements and long marriages. I don’t see any sense in a fellow’s sitting around on the mourner’s bench with the sinners, after he’s really got religion. The time to size up the other side’s strength is before the engagement.
Some fellows propose to a girl before they know whether her front and her back hair match, and then holler that they’re stuck when they find that she’s got a cork leg and a glass eye as well. I haven’t any sympathy with them. They start out on the principle that married people have only one meal a day, and that of fried oysters and tutti-frutti ice-cream after the theatre. Naturally, a girl’s got her better nature and her best complexion along under those circumstances; but the really valuable thing to know is how she approaches ham and eggs at seven A.M., and whether she brings her complexion with her to the breakfast table. And these fellows make a girl believe that they’re going to spend all the time between eight and eleven P.M., for the rest of their lives, holding a hundred and forty pounds, live weight, in their lap, and saying that it feels like a feather. The thing to find out is whether, when one of them gets up to holding a ten pound baby in his arms, for five minutes, he’s going to carry on as if it weighed a ton.
A girl can usually catch a whisper to the effect that she’s the showiest goods on the shelf, but the vital thing for a fellow to know is whether her ears are sharp enough to hear him when he shouts that she’s spending too much money and that she must reduce expenses. Of course, when you’re patting and petting and feeding a woman she’s going to purr, but there’s nothing like stirring her up a little now and then to see if she spits fire and heaves things when she’s mad.
I want to say right here that there’s only one thing more aggravating in this world than a woman who gets noisy when she’s mad, and that’s one who gets quiet. The first breaks her spell of temper with the crockery, but the second simmers along like a freight engine on the track beside your berth – keeps you scared and ready to jump for fear she’s going to blow off any minute; but she never does and gets it over with – just drizzles it out.
You can punch your brother when he plays the martyr, but you’ve got to love your wife. A violent woman drives a fellow to drink, but a nagging one drives him crazy. She takes his faults and ties them to him like a tin can to a yellow dog’s tail, and the harder he runs to get away from them the more he hears of them.
I simply mention these things in a general way, and in the spirit of the preacher at the funeral of the man who wasn’t “a professor” – because it’s customary to make a few appropriate remarks on these occasions. From what I saw of Helen Heath, I reckon she’s not getting any the best of it. She’s what I call a mighty eligible young woman – pretty, bright, sensible, and without any fortune to make her foolish and you a fool. In fact, you’d have to sit up nights to make yourself good enough for her, even if you brought her a million, instead of fifty a week.