the shyness of the sailor-lad--i was almost saying his innocence--was remarkable.he seemed to have but just left the women's apron-strings.as a matter of fact, petted as he was by his two sisters and his old aunt, he had retained from this purely feminine education mnnners that were almost candid and stamped with a charm that nothing had yet been able to sully.he was a little over twenty-one years of age and looked eighteen.he had a small, fair mustache, beautiful blue eyes and a complexion like a girl's.
philippe spoiled raoul.to begin with, he was very proud of him and pleased to foresee a glorious career for his junior in the navy in which one of their ancestors, the famous chagny de la roche, had held the rank of admiral.he took advantage of the young man's leave of absence to him paris, with all its luxurious and artistic delights.the count considered that, at raoul's age, it is not good to be too good.philippe himself had a character that was very well-balanced in work and pleasure alike;his demeanor was always faultless; and he was incapable of setting his brother a bad example.he took him with him wherever he went.
he even introduced him to the foyer of the ballet.i know that the count was said to be "on terms" with sorelli.but it could hardly be reckoned as a crime for this nobleman, a bachelor, with plenty of leisure, especially since his sisters were settled, to come and spend an hour or two after dinner in the company of a dancer, who, though not so very, very witty, had the finest eyes that ever were seen! and, besides, there are places where a true parisian, when he has the rank of the comte de chagny, is bound to himself; and at that time the foyer of the ballet at the opera was one of those places.
lastly, philippe would perhaps not have taken his brother behind the scenes of the opera if raoul had not been the first to ask him, repeatedly renewing his request with a gentle obstinacy which the count remembered at a later date.