he persian's narrative continuedwe were in the middle of a little six-cornered room, the sides of which were covered with mirrors from top to bottom.
in the corners, we could clearly see the "joins" in the glasses, the segments intended to turn on their gear; yes, i recognized them and i recognized the iron tree in the corner, at the bottom of one of those segments...the iron tree, with its iron branch, for the hanged men.
i seized my companion's arm: the vicomte de chagny was all a-quiver, eager to shout to his betrothed that he was bringing her help.
i feared that he would not be able to contain himself.
suddenly, we heard a noise on our left.it sounded at first like a door opening and shutting in the next room; and then there was a dull moan.i clutched m.de chagny's arm more firmly still;and then we distinctly heard these words:
"you must make your choice! the wedding mass or the requiem mass!"i recognized the voice of the monster.
there was another moan, followed by a long silence.
i was persuaded by now that the monster was unaware of our presence in his house, for otherwise he would certainly have managed not to let us hear him.he would only have had to close the little invisible window through which the torture-lovers look down into the torture-chamber.besides, i was certain that, if he had known of our presence, the tortures would have begun at once.
the important thing was not to let him know; and i dreaded nothing so much as the impulsiveness of the vicomte de chagny, who wanted to rush through the walls to christine daae, whose moans we continued to hear at intervals.
"the requiem mass is not at all gay," erik's voice resumed, "whereas the wedding mass--you can take my word for it--is magnificent!
you must take a resolution and know your own mind! i can't go on living like this, like a mole in a burrow! don juan triumphant is finished; and now i want to live like everybody else.i want to have a wife like everybody else and to take her out on sundays.