“These are done by my eldest sister,” said he;“and you, as a man of taste, will, I dare say, be pleased with them. I do not know whether you have ever happened to see any of her performances before, but she is in general reckoned to draw extremely well.”
The Colonel, though disclaiming all pretensions to connoisseurship, warmly admired the screens, as he would have done any thing painted by Miss Dashwood; and on the curiosity of the others being of course excited, they were handed round for general inspection. Mrs. Ferrars, not aware of their being Elinor’s work, particularly requested to look at them; and after they had received gratifying testimony of Lady Middletons’s approbation, Fanny presented them to her mother, considerately informing her, at the same time, that they were done by Miss Dashwood.
“Hum”—said Mrs. Ferrars—“very pretty,”—and without regarding them at all, returned them to her daughter.
Perhaps Fanny thought for a moment that her mother had been quite rude enough,—for, colouring a little, she immediately said,
“They are very pretty, ma’am—an’t they?” But then again, the dread of having been too civil, too encouraging herself, probably came over her, for she presently added,
“Do you not think they are something in Miss Morton’s style of painting, Ma’am?—She does paint most delightfully!—How beautifully her last landscape is done!”
“Beautifully indeed! But she does every thing well.”
Marianne could not bear this.—She was already greatly displeased with Mrs. Ferrars; and such ill-timed praise of another, at Elinor’s expense, though she had not any notion of what was principally meant by it, provoked her immediately to say with warmth,
“This is admiration of a very particular kind!—what is Miss Morton to us?—who knows, or who cares, for her?—it is Elinor of whom we think and speak.”
And so saying, she took the screens out of her sister-in-law’s hands, to admire them herself as they ought to be admired.