At Phoenix Platform in Nanjing，the poet Ouyang Jianghe spoke with confidence that poetry belongs to middle age，which I consider very reasonable.Now looking back and having a simple analysis，we would find that during the ten years from 1979to 1989，Chinese poetry stepped into a glorious decade represented by “misty poetry”；during that period，except for some pioneering poets such as Gu Cheng，Shu Ting，Bei Dao，Ouyang Jianghe，Yu Jian and Zhai Yongming，there were still some middle-aged poets such as Lei Shuyan，Li Famu，and Yang Kuangman as well as some senior poets for example，Li Ying，Zhang Tongwu，Zha Gan composing poems.So Chinese poetry Phalanx of that time was taking on a “Wild Goose Queue”look，and as a result，a group of poems of high quality flourished at that period.Then within the following ten years between 1989and 1999，the Chinese Parnassus resembled an anoxic pond.It cannot be denied that fishes lived in the pond，but they all floated on the surface and on the Internet，which looks full of sound and fury from first appearance but actually lacks “formation”.Within this era，different schools of thought stood in great numbers and various isms grew wildly，however，no works of poetry，really influential and relatively profound，came into being.From 1999to 2008，as large quantities of “middle-aged”poets have returned to poetic circles，the Chinese Parnassus has gradually shifted from an age full of sound and fury into an epoch of reasons and senses.Subsequently，a great number of high-quality，profound poems have continued to come to the fore in recent years.
第61章 後記(2)（2 / 2）