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長鋏
長鋏，男，本名劉誌鵬，湖南人，80後科幻新秀。2010年中國地質大學（武漢）碩士研究生畢業。2000年開始科幻寫作，迄今為止在《科幻世界》《世界科幻博覽》《九州幻想》等各大幻想雜誌發表科幻、奇幻作品20餘萬字。
火星在七月的黃昏沉沉墜去，西邊的天空一片彤紅。我站在顛簸的馬車上，視線從寥廓的蒼穹垂落於背後一片廣袤的大地。兩條深深的轍印蜿蜒至天邊，那裏杜宇落單的身影漸行漸遠。我掐指一算，離開楚國已經三個月了，滿車向周王進貢的包茅早已失去了它的嫩綠與幽香。
我的眉頭微微蹙緊，今天是朔晦日，天空卻是月明星稀。大周的曆法的確需要重新修訂了。祖宗傳下的顓頊古曆沿用了八百年，累積誤差已十分明顯，節氣與農時的舛誤常常令農人不知所措。
三個月前，我接到王的傳詔，限我即日起程前往鎬京。我的族人在接到這一旨令之時，惶恐萬分。自從昭王南征楚國不還，周王室與楚世家的關係已經異常緊張。我走出家門登上馬車的時候，背後號啕一片。我的嘴角輕輕抽搐了幾下，終究沒有吐出一個字。我再次檢查了我攜帶的書篋，便吩咐禦卒揮鞭啟程。我下令的時候嘴角竟揚起一絲微笑。是的，我申氏曆代為周王整理地理誌，一百年來兢兢業業小心翼翼，未嚐敢因官爵低微疏誤職責，能在一個春光豔麗的下午被千裏之外的周天子想起也不失為門庭幸事。事實上這次接到傳詔的除了世代為周王修訂地理誌的我申氏家族，還有天文世家甘氏、機械匠師舒鳩氏，甚至楚國名覡巫鹹、巫昌。每一個都是楚國舉足輕重的人物，我一個小小的勘輿師又有什麼好擔心的呢？
我們趕到鎬京時，偌大一個鎬京城已充滿了南腔北調的奇人異士。齊國的稷下學士“稷下”的來曆，一說，因齊都南隅有稷山，臨淄在其北側而得名；一說，齊都臨淄西門原有稷門，學宮營造其外，故稱“稷下”。大批學者在此自由辯論，人們稱這些人為“稷下先生”，他們各自所集的門徒別稱為“稷下學士”。官方機構稷下學宮，創建於田氏取代薑族，奪取齊國政權後的第二代國君齊桓公田午時期，但這種類似於哥本略根酒吧的科學討論風氣可能上溯到遠古。、燕國的羨門shaman的音譯，一種信奉外來教義的方士。、晉國的鑄劍師、鄭衛的樂師、楚國的陰陽家甚至西域的幻術師，都如百鳥朝鳳般聚集在儷宮大殿裏高談闊論。他們的隨從輜重擠滿了西京的客棧，馬廄裏高低不一毛色混雜的馬匹日夜嘶鳴不絕。
我們被安置在蒲胥客棧，一個月過去了，依然沒有被王召見的消息。隨車進貢的包茅早已被冬官長驗收，傳下的旨意是讓我們耐心等待。不久王將舉行一場聲勢浩大前所未有的殿內測試，在這次測試之前，全國被傳召的學者、術士、巫覡將被王依次召見，當庭詢問一些專業職責範疇之內的事宜。
關於這次周王勞師動眾的起因，眾人蠡測紛紜。模糊的說法是王被一個大而空的問題所困擾。這個問題是如此博大精深，以致不得不召集普天下最有智慧的人來回答。而那個問題被提出來的淵源讓人覺得好笑，僅僅是因為兩件毫不相幹夢一般荒謬的事情。
第一件事是西方很遠很遠的某個國家有個幻術師來到鎬京，此人淩虛漫步有如平地，穿牆入室毫無阻隔。既能用念力改變物體的外形，又能控製人的思維。大周的飽學之士沒有一個能夠破得了這個人的法術，更無法解釋這其中的奧妙。這個不速之客性情極其孤傲，視華夏俊傑如土雞瓦犬，根本不屑於與眾學士討論法術的高妙。王傾盡國庫為他修建了中天之台，又從鄭衛選來妖豔柔媚的女子，布置在樓館之中，讓她們演奏《雲瑩》、《九韶》美樂，供他享樂。可幻術師依然不甚滿意，勉強下榻中天之台後不久，幻術師便請王與他一起遊玩。王拉著他的衣袖，騰空而起，直上雲霄，竟來到緋雲之巔的一座宮殿。這宮殿金碧輝煌氣勢恢弘，巍峨地聳峙在雲雨之上。王耳聞目睹鼻嗅口嚐的均非人間所有，王於是斷定這便是清都紫微宮，聽到的是鈞天廣樂曲。王低頭往下看，見自己的宮殿樓宇就像堆積的土塊柴草一般醜陋不堪。幻術師引著王在宮殿裏四處遊逛，所及之處抬頭不見日月，低頭不見山川。光影闌珊天籟嫋嫋，王心迷意亂失魂落魄之極，幻術師推了他一把，王就從虛空跌落。王醒來的時候坐的還是原來的地方，身邊的侍者還是老麵孔，再看案前，酒菜還熱氣騰騰。王問自己剛才從何而來。侍者回答王一直就睡在榻上，隻是小憩了一會。王來到中天之台，幻術師已杳如黃鶴，不見蹤影。王從此鬱鬱寡歡精神恍惚。
第二件事是王從西方狩獵歸束，途中有人向王推薦一個名叫偃師的工匠。與偃師一同前來覲見王的還有一個麵容古怪的人，此人對王的態度甚是倨傲無禮。王正詫異間，偃師請王上前審視，王赫然發現這個人竟然是一個木偶！奇妙的是這木偶的動作舉止與真人一般無二，可以隨著音樂舞蹈，節奏無不合乎桑林之舞。他還能放聲高唱，美妙的韻律隻怕王宮內的歌伎也要遜色三分。王的寵妃盛姬被這一奇事吸引，圍繞著木偶左右現瞻，噴歎不已，冷若冰霜的皎麵上也浮出了久違的笑靨。王正要重賞偃師，孰料這個木偶在眾目睽睽之下竟眨眼挑逗盛姬。王大怒，欲誅偃師。偃師驚恐萬分，立刻把木偶拆卸開來，隻見木偶的身體內部全部是一些皮革、牛筋、木頭機樞、樹膠、漆之類毫無生命的器物，齒輪交錯，曲軸縱橫，以牛筋纏繞牽引，緊緊箍在軸承上的牛筋自然釋放，軸承轉動，驅動咬合的齒輪旋轉，動力傳引至木偶的四肢五官，這才有了剛才的千變萬化唯意所適。王被這一精湛的技藝深深折服，歎道：人之至巧堪與造化同功啊。於是重賞偃師，以車載回木偶，日夜陳於大殿之上表演以供眾卿娛樂，前來朝覲的蠻夷諸族使者無不歎為現止。可是王很快又怏怏不樂起來，經常眉頭緊鎖，在宮中橫七步豎八步，嘴裏還喃喃念叨些什麼。有時手拍腦袋作恍然大悟狀，有時又頓首跺足作焦躁不安狀，迷了心竅一般。隻是有一天，王在藏書閣密室裏單獨召見偃師，與他徹夜傾談。醜時，侍者聽到密室裏傳來王暴雷般的怒吼。第二天清晨，偃師出來時就像整個兒換了個人，形容枯槁，麵如死灰。有好心人上前關切地詢問，偃師卻一言不發。當天下午，偃師就從鎬京城內消失了，誰也不知他去了什麼地方。